Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of William Turner 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
54890 Concert William Turner Concert mk238 1835 Oil on canvas 121x90.6cm
24486 Constance (mk31) William Turner Constance (mk31) Watercolour 30.4x45.4cm
55063 Construct of number four William Turner Construct of number four mk239 1911 Oil on canvas 159.5x250.5cm
55139 Constructure number 8 William Turner Constructure number 8 mk239 140x201cm
55190 Continue William Turner Continue mk239 1935 oil on canvas 81x100cm
55178 Control William Turner Control mk239 1929 oil on canvas 35x49cm
55067 Cover William Turner Cover mk239 1911 Watercolour 27.7x21.9cm
55068 Cover William Turner Cover mk239 1911 Watercolour 27.9x21.9cm
55166 Cover William Turner Cover mk239 28x21.5cm
55043 Cow William Turner Cow mk239 1910 Oil on canvas 95.5x105cm
68562 Crossing the Brook William Turner Crossing the Brook Crossing the Brook by J. M. W. Turner, 1815, oil on canvas, 193 ?? 165 cm. Currently housed in the Tate Gallery.
24468 Crossing the brook (mk31) William Turner Crossing the brook (mk31) 1815 Oil on canvas 193x165cm
73150 Crossing the Brook by William Turner Crossing the Brook by 1815, oil on canvas, 193 X 165 cm. cyf
71868 Crossing the Brook by J. M. W. Turner William Turner Crossing the Brook by J. M. W. Turner Crossing the Brook by J. M. W. Turner, 1815, oil on canvas, 193 x 165 cm. Currently housed in the Tate Gallery.
91524 Cumberland William Turner Cumberland 1798(1798) Medium oil on canvas Dimensions 91,5 x 122 cm cyf
89349 Das Forum Romanum, fur Mr. Soanes Museum William Turner Das Forum Romanum, fur Mr. Soanes Museum 1826(1826) Medium oil on canvas Dimensions 145,5 x 237,5 cm cjr
89158 Death on a pale horse William Turner Death on a pale horse c. 1825(1825) Medium oil on canvas Dimensions Height: 597 cm (235 in). Width: 756 cm (297.6 in). cjr
75047 Deluge William Turner Deluge English: The Deluge, oil painting in the Tate Gallery, London Date 1805 cyf
54869 Dentist William Turner Dentist mk238 1808 Oil on canvas
55185 Depression William Turner Depression mk239 1933 Watercolour 47.3x66.8cm
87917 Der Genfer See von Montreux aus gesehen William Turner Der Genfer See von Montreux aus gesehen Date 1810(1810) Medium Oil on canvas Dimensions 105,4 x 165 cm cjr
89753 Der Park Petworth: Im Hintergrund die Kirche von Tillington William Turner Der Park Petworth: Im Hintergrund die Kirche von Tillington c. 1830(1830) Medium Oil on canvas Dimensions 63,5 x 139 cm cjr
31835 Details of Mortlake terrace:early summer morning William Turner Details of Mortlake terrace:early summer morning mk76 Painted in 1826 Oil on canvas 36 5/8x48 1/2in
3219 Dido Building Carthage William Turner Dido Building Carthage 1815 National Gallery, London
78967 Dido Building Carthage aka The Rise of the Carthaginian Empire William Turner Dido Building Carthage aka The Rise of the Carthaginian Empire Dido Building Carthage aka The Rise of the Carthaginian Empire (painting - oil on canvas) Date 1815(1815) cjr
40655 Dido Building Carthage or the rise of the Carthaginian Empire William Turner Dido Building Carthage or the rise of the Carthaginian Empire mk156 1815 Oil on canvas 155.5x23.2cm
89757 Die Chain-Pier von Brighton William Turner Die Chain-Pier von Brighton c. 1828(1828) Medium oil on canvas Dimensions 71 x 136,5 cm cjr
87200 Die funfte Plage von agypten William Turner Die funfte Plage von agypten Date 1800(1800) Medium Oil on canvas Dimensions 124 x 183 cm cjr
91970 Die funfte Plage von Agypten William Turner Die funfte Plage von Agypten 1800(1800) Medium oil on canvas Dimensions 124 X 183 cm cyf
87920 Die Schlacht bei Trafalgar, von den Steuerbordbesanwanten der Victory aus gesehen William Turner Die Schlacht bei Trafalgar, von den Steuerbordbesanwanten der Victory aus gesehen Date 1806-1808 Medium Oil on canvas Dimensions Deutsch: 172,7 x 238,8 cm cjr
66583 Die Teufelsbrocke St. Gotthard William Turner Die Teufelsbrocke St. Gotthard c. 1803-1804 76,8 x 62,8 cm
54844 Disaster William Turner Disaster mk238 1805 Oil on canvas 172x241cm
87860 Dogana und Santa Maria della Salute, Venedig William Turner Dogana und Santa Maria della Salute, Venedig Date 1843(1843) Medium Oil on canvas Dimensions Deutsch: 91,4 x 122 cm cjr
3211 Dolbadern Castle William Turner Dolbadern Castle 1799 Tate Gallery, London
55034 Draw William Turner Draw mk239 1909 Oil on canvas 175.2x144.7cm
55099 Draw William Turner Draw mk239 1915 Watercolour 15.7x23.6cm
55188 Draw William Turner Draw mk239 1932 Oil painting 49x70cm
55071 Draw of Circle William Turner Draw of Circle mk239 1911
55097 Drea William Turner Drea mk239 1914 Oil on canvas 120x111cm
55091 Dreaw with white line William Turner Dreaw with white line mk239 1913 25.8x34.5cm
52518 Dutch Boats in a Gale William Turner Dutch Boats in a Gale 1801 Oil on canvas, 163 x 221 cm
89868 Ein gestrandetes Schiff William Turner Ein gestrandetes Schiff c. 1828(1828) Medium Oil on canvas Dimensions 70 x 136 cm cjr
56676 eldsvada till havs William Turner eldsvada till havs mk248 turenr avgudade bavet ocb malade vid alla vaderlekar. skeppet som star i centrum for danna katastrof ar orontes. hon gick inte under i nagon strm utan sedan ett stearinljus bytt antant en bog med balm. turner later later roken ocb lagorna virvla runt med bavet ocb bimlen till en enda valdig virvelstrom. massan av bimmelska vasen, tills betraktaren med en rysing inser att detta ar de olyckiga passagerarna som forlorar kampen mot de bada forbarskande elementen eld ocb vatten.
55175 Enter the dark William Turner Enter the dark mk239 1928 48x31.8cm
55109 Exercise William Turner Exercise mk239 1916 Watercolour 23x29cm
55080 Expression William Turner Expression mk239 1911 14.5x21.7cm
54976 Factory William Turner Factory mk238 1840 Watercolour 24.3x30.8cm
55078 Fairyland William Turner Fairyland mk239 1911-1912 Watercolour 30.1x20.5cm
24495 Festive Lagoon scene,Venice (mk310 William Turner Festive Lagoon scene,Venice (mk310 Oil on canvas 91x121cm
55203 Fifteen William Turner Fifteen mk239 1938 34.5x50cm
54835 Fifth tragedy of Egypt William Turner Fifth tragedy of Egypt mk238 1800 125x183cm
76766 Fighting Temeraire William Turner Fighting Temeraire Date 1838(1838) Medium Oil on canvas Dimensions 91 ?? 122 cm (35.83 ?? 48.03 in) cyf
54937 Fire William Turner Fire mk238 1834 Watercolour 23.4x32.7cm
73321 Fire at Sea William Turner Fire at Sea oil on canvas, by the British artist J. M. W. Turner. 171.5 cm x 220.5 cm (67.52 in. x 86.81 in.). cyf
89765 Fire on the Sea William Turner Fire on the Sea c. 1834(1834) Medium oil on canvas Dimensions 171,5 x 220 cm cjr
55038 First draft William Turner First draft mk239 1910 Oil on canvas 71x71cm
55040 First draft William Turner First draft mk239 1910 32.9x32.9cm
55064 First draft William Turner First draft mk239 1911 Oil on canvas 94.5x139cm
55093 First draft William Turner First draft mk239 1913 Watercolour 27.6x38.1cm
55100 First draft William Turner First draft mk239 1913 Watercolour 23.8x24cm
55121 First draft William Turner First draft mk239 1919 Watercolour 24x19cm
55132 First draft William Turner First draft mk239 1923 36.8x36cm
88015 Fischen am Blythe-sand, die Flut setzt ein William Turner Fischen am Blythe-sand, die Flut setzt ein 1809(1809) Medium Oil on canvas Dimensions 89 x 119,5 cm cjr
54831 Fisher William Turner Fisher mk238 1796 Oil on canvas 91.4x122.2cm
54837 Fisher William Turner Fisher mk238 1802 Oil on canvas 91.4x122cm
89325 Fishermen at Sea William Turner Fishermen at Sea 1796(1796) Medium oil on canvas cyf
3210 Fishermen at Sea (The Cholmeley Sea Piece) William Turner Fishermen at Sea (The Cholmeley Sea Piece) 1796 Tate Gallery, London
24457 Fishermen at sea (mk31) William Turner Fishermen at sea (mk31) 1796 Oil on canvas 91.5x122.4cm The Tate Gallery,London
24458 Fishermen at sea (mk31) William Turner Fishermen at sea (mk31) 1796 Oil on canvas 91.5x122.4cm
90424 Fishermen Cleaning and Selling Fish William Turner Fishermen Cleaning and Selling Fish 1807(1807) Medium oil on canvas Dimensions 134,5 x 179 cm cyf
31831 Fishing boats entering calais harbor William Turner Fishing boats entering calais harbor mk76 Painted c.1803 Oil on canvas 29x38 3/4in
38145 Fishing Boats Entering Calais Harbor William Turner Fishing Boats Entering Calais Harbor mk29 c.1803 Oil on canvas 73.7x98.4cm
82566 Fishing Boats with Hucksters Bargaining for Fish William Turner Fishing Boats with Hucksters Bargaining for Fish Fishing Boats with Hucksters Bargaining for Fish (1837-1838) by JMW Turner, Oil on canvas, 174.5 x 224.9 cm, Art Institute of Chicago Date 1837-1838 cjr
24467 Fishing upon Blythe-sand,tide setting in (mk31) William Turner Fishing upon Blythe-sand,tide setting in (mk31) 1809 Oil on canvas 89x119.5cm
24459 Fishmarket on thte beach (mk31) William Turner Fishmarket on thte beach (mk31) 1802-1804 Oil on canvas 43.2x58.4cm
54953 Flammulated sky William Turner Flammulated sky mk238 1840-1845 30.5x48cm
54838 Flood William Turner Flood mk238 1805 Oil on canvas 143x235cm
55095 Flood William Turner Flood mk239 1914 Oil on canvas 108.5x140cm
55145 Fly William Turner Fly mk239 1924 Watercolour 30x40cm
54849 Forest William Turner Forest mk238 1805 Watercolour 25.7x36.8cm
55032 Forthright William Turner Forthright mk239 1909 Oil on canvas 32.9x44.6cm
54913 Fountain William Turner Fountain mk238 1822 Watercolour 18.4x14cm
54876 Freezing Morning William Turner Freezing Morning mk238 1813 Oil on canvas 113.x6174.6cm
62552 Frosty Morning William Turner Frosty Morning 1813 Oil on canvas, 114 x 175 cm Tate Gallery, London This Yorkshire scene has an air of numbing chill, with rime glistening on earth and wild plants. Turner's English subjects still looked to the Dutch painter Aelbert Cuyp (1620-1691), but he was demonstrating his own contribution to this tradition and the benefits of study direct from nature. Author: TURNER, Joseph Mallord William Title: Frosty Morning Form: painting , 1801-1850 , English , landscape
54936 Gate William Turner Gate mk238 1832 14.2x19.1cm
55163 Gaze William Turner Gaze mk239 1926 Oil on canvas 111x105cm
55049 Gentlewoman William Turner Gentlewoman mk239 1910 Oil on canvas 110x109cm
54921 Georgian William Turner Georgian mk238 1822 Oil on board 68.5x91.8cm
42759 Glacier and source of the Avyron, Chamonix William Turner Glacier and source of the Avyron, Chamonix MK169 1802-03 water Color on paper 68.5x101.5cm
77672 Glaucus and Scylla William Turner Glaucus and Scylla '??Glaucus and Scylla??', 1841, oil on panel painting by Joseph Mallord William Turner, Kimbell Art Museum. cjr
80943 Glaucus and Scylla William Turner Glaucus and Scylla 1841, oil on panel painting by Joseph Mallord William Turner, Kimbell Art Museum Date 1841(1841) cyf
24465 Grand Junction Canal at Southall Mill Windmill and Lock (mk31) William Turner Grand Junction Canal at Southall Mill Windmill and Lock (mk31) 1810 Oil on canvas 92x122cm
55115 Gray William Turner Gray mk239 1917 Oil on canvas 25.4x28.5cm
55128 Gray William Turner Gray mk239 1922 Watercolour 46.7x42.5cm
55149 Gray William Turner Gray mk239 1924 48.9x33.8cm
55197 Group William Turner Group mk239 1938 116x89cm
54931 Hafulier William Turner Hafulier mk238 1832 Watercolour 13.8x18.7cm
54894 Hall William Turner Hall mk238 1827 Watercolour 13.4x19.1cm
55152 Happy construct William Turner Happy construct mk239 1924 Watercolour 35x23cm
55137 Happy rise William Turner Happy rise mk239 1923 23.8x19.3cm
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William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.
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